Thursday, October 25, 2012

Shepherd's Center Poetry Anthology 2012


Poems
from the Shepherd’s Center
Winter—Spring 2012

This short collection is the fifth by our Shepherd’s Center Poetry Group.

These pages are meant to be a memento of our weeks together during the winter and spring of 2012, which I believe have emboldened us to find and affirm the poet in ourselves and others. Thank you again for sharing your talent and insight with the group.—Bob Demaree



“Bro”
Leo Kelleher

The family called him “BROTHER” from birth-at-home  to a Green Mountains grave.  If he had not become famous his mailbox name could have died with him. He walked with God from his youth.  He was still an altar boy when his peers had outgrown that.  Their home was north of the city.  Tall pines formed colonnades for Gods Temple, right next door. 

He had a dozen siblings and three dozen young folks called him “Uncle Brother”  .He had a special care for his little sister.  She was so alone in the crowd.  She would sit on the floor by his chair.  He would regale her with fleecy-cloud stories.  How her knight in shiny armor, astride his white steed, would gallop  into her life.  He would sweep her away to his sky castle. They would  live happily ever after.

Their street climbed a hill and turned west into a broad meadow, their meadow. They often took home the bright colored wild-flowers to replace those that had died yesterday. It was a sea of green.  When the Mariah wind blew green waves rolled from one end to the other.  It had been carved from the forest for a failed housing project, She asked him why they wanted to build many houses so near theirs.  He answered in jest hat maybe there were just not enough caves for all the people.

One day they discovered a treasure.   The gentle forest light glimmered on a shard of  glass partially buried.  Clay covered, she washed it inn the creek.  It was blue, a happy blue, a sky blue.  He told her it was her  special secret treasure, just hers, a no show no share treasure.  Like all treasures it should be buried.   To help mark her secret shrine   they dug under the only dogwood in the forest.  As time passed she came to her shrine only on her blue days.

She never really dug up her treasure.  Eons later she did dig it up in her mind as she told  Brothers fleecy cloud stories to her children.



“Paperwhites”
Sherry A. Kelly

He brings paper whites and places them beside the Crèche
To celebrate my birthday on this winter solstice, the darkest day of the year.
One lone blossom bends gracefully over the manger,
Its gold center a beacon for the hope and promise
Of the Christ Child.

We’ve had forty nine years of paper whites.
Paper whites and diplomas to earn, careers to begin,
Mortgages to pay, children to cherish and pets as well, travels abroad and
    chores at home.
Planting and pruning, watering and weeding.
Papers to write and papers to grade. Lessons to plan and classes to teach.
Celebrations and tribulations.
Agreeing and disagreeing and through it all remaining true
To our promises to love unendingly til the end.

On Epiphany morning as we shower, letting streams of water pelt us awake,
   pelt us alive,
I see our now listless skin is the shade of the lather that cleanses us;
Stunned by the promise our paper white shrouds hold for us now in the dead of
   winter.



“Ten and Counting”
Martha Golensky

I watch him smile in his sleep—
probably dreaming of a chance
encounter between some alien
and his alter ego, Astronaut Alex.
Space is his passion now,
supplanting dinosaurs.

Baby fat virtually gone,
every day I see his father
more clearly in the contours
of my boy’s still downy chin.
The lanky frame so like his;
no visible Mom traces left.

Don’t grow up too soon.
Don’t lose the ability
to love spontaneously,
arms wide in generous hugs,
flashing your whole-face smile,
cuddling with me just because
it’s where you want to be.



“Dawn & Dusk”
Dave Upstill

Out of the dark womb of night
Day begins as the sun is born
So fast we are enchanted
By the growing glow.
When fully rounded
The infant sun begins its crawl
Less noticeably up the sky of day
It has aims to carry through
Measurable in shadows shrinking
We likewise have things to do
Turn to give them our attention
At mid-day we may ;pause to notice
Shadows disappearance.

Then growing again in afternoon
Pointing toward time departing
The sun again demands remark
With perceptible speed in leaving
Pulling the light of day with it.
No wonder awesome dawn and dusk
Inspire so many rites of celebration.



“Airy Confidences”
Lois Losyk

One from the west
One from the south
our lives intersect
southeast heading north.

Squeezing into too tight
for comfort seats
we fly  into gentle,
pillow clouds miles away
from our every day.

We circle each other,
search for a connection,
with meaningless words,
polite questions.

We chat about our families,
ourselves; the circle
widening and deepening,
a canyon in our reveal.

Spouses gone, one by death
one by divorce.
We share pain that resembles
each other’s but different
somehow.

Deep regrets, secret desires,
future dreams,  hopes
unrealized, all laid out naked.
Some of it unknown,
even to ourselves.

We arrive north. Goodbyes
and good wishes expressed.
Moving out of our circle
into our lives.
Our names never revealed.



“The Necropolis”
Cynthia Schaub

We walked the hills
My old love and I
A grey drizzly day
Perfect
For Glasgow, for us

And saw the mausoleums
Stolid, grey stone
Built for lawyers, grocers
Solid burghers
To last forever, so remembered.

But now,
Not even a century,
Fallen, marked by yellow
Tape – “Danger”
And so forgotten.



“What Matters “
Kathy Coe

some measure
the worth of a thing
by the attention it is paid:
how many votes,
how many viewers,
how many sponsors it attracts.

at our home away from home,
nestled in the wrinkle
between high windblown hills,
it is not so.

there a thing’s value
is noted by the rising sun
as it creeps over the eastern ridge,
tinting first our treetops
then their outstretched arms
and soon the lower yard where
a mess of squawking turkeys
forages.

what matters there is the slow healing
of a certain tulip poplar
on the facing hill,
ravaged by last year’s ice storm,
or the ponderous parade
of slow-marching clouds eastward
across the wide valley,
shifting shapes and hues
in convincing display of evolution,
in case you had harbored any doubts.

what matters is the scent
of rain in the mist that meanders
up the ravine of a morning,
rendering our panorama
a blank grey screen,

or the wood-smoked air
filling the den
where stacked books await,
and the only sound
that matters
is the roar of wind in the pines.



“The Library Table”
Elmer Billman

It was in the living room of the home in which I was born.
The living room was my favorite. It had two French windows,
And two double windows with window seats flanked the fireplace.
A Seth Thomas clock on the mantel struck the hour.

In the large armchair my father would hold me in his lap and read to
    me
 from the daily paper “Little Benny’s Notebook”
And the happenings in a family of rabbits.
The family was headed by Uncle Wigglety
And looked after by Nurse Jane Fuzzy Wuzzy.

The library table had two crescent leaves and six legs.
Perhaps the adjacent bookcase legitimized its name.
It has followed me to my present home.
I hope it will travel on.



“Wedding March”
Caren Masem

In the White Garden
where Lohengrin will play
through June’s warmth,
rose bushes stand bare,
their lace covered
white gowns still
not pulled down
over shivering shoulders.
They wait at the alter
patient in March’s
lingering chill.



“Witch Hazel”
Jenny Ward Angyal

autumn
a handful of berries
opening
a blue glass bubble
of remembered light

burnishing
the trunks of birches
sorrow
the old crone’s shadow
on the white moth’s wing

dust motes
in a circle of light
the bubble
shrinking to a stone
inside the chest

stone
to build a fire ring
kindling
flame from ashes
before dusk

the scent
of apples—
bubbles rising
each a different mirror
to a changing face

hearthstone ashes
the price of wisdom  paid—
but
can witch hazel bloom
so deep in winter

firelight fades
the old crone follows
the glint
of drifting bubbles
through the dark wood

“Witch Hazel” appeared in Lynx, February 2011



Untitled
Judy Harris

Proud design of bare branches.
Medallion? Badge?
Pasted on a heavy winter sky,
You know. And you speak.
Yes, I know you speak.
Strange calligraphy?
Teasing segment of the jigsaw puzzle?
Affirmation of existence?
Your message is cleverly coded;
But is that what you are saying?
I will know, too, someday.



“Red”
Judy Gecinger

Red comes unannounced at dawn's dim light.
It stabs at the day.
It rouses expectation.
It drapes and clings to body form
As it creates the day.
Red almost justifies oppression.
It challenges the exuberance of life's unfolding
Because it makes my day.
Red comes unannounced at dusk's closing light.
Then, it fades away.



“Three Milestones”
Audrey Elmore

I looked around and there you were!
Growing so tall, it seemed too rapidly.
So fair, with grace—astounding!
And now—almost fourteen—ready to make your
Commitment of faith in the belief
Of that awesome power behind us,
Seeking possibilities we can only imagine.
Good journey, cherished grandson.

Today, my son, you too reach a milestone
And I am blessed to be the one
Who has watched, and often cared too much!
As you followed the path of delight in living
And with all the good, the inevitable scariness.
Now, through pride and total acceptance
Of the man you have become.
I salute you with deepest love.

Here in act three of my existence, still young in my heart,
I am grateful and humbled by gifts received;
For lessons learned—some painfully
Of blessings through God’s grace bestowed on
   such an errant one as me!
My desire is that of giving more than taking.
Seeing love’s power overcome disappointment
   and shortcomings, leading forward
To the greater knowing promised!



“Batterymates”
Bob Demaree

At 73, I have long since given up
Soccer and basketball with him,
So we have devised a new game,
My grandson and I,
To play in the back yard on afternoons
Thick with the warmth of late spring.
I am the pitcher,
He the rest of our baseball team.
We toss the ball back and forth,
Field grounders and pop flies,
Each catch an out.
Sometimes the other guys reach base,
An errant throw skittering
Into the monkey grass, hidden by
Fallen azalea blooms.
My teammate, playing deep,
Somewhere between childhood and
Adolescence, applies tags to phantom foes
As they foolishly try to stretch a hit.
Our team scores a run
Each time we retire the side.
We have never lost.


Friday, June 29, 2012

2012 Anthology Due in September


The 2012 Shepherd's Center Poetry Anthology, featuring writing by participants in the winter and spring terms, will be posted during September.  Contributors will be notified by e-mail when the anthology is "live."

Friday, May 25, 2012

Spring term concludes by 'Washing the Elephant'

Our Spring 2012 session at the Shepherd's Center concluded with two wonderful poems, "Washing the Elephant" by Barbara Ras and Jennifer Barber's "In the Hebrew Primer."

Ras displayed what C.K. Williams describes as "zaniness and unpredictable cunning...verbal expertise and lucidity" and a profound knowledge of the world. "Washing the Elephant" explored desire, guilt and memory over time, coming back always to the image of the elephant:

..it's always the heart that wants to go out and wash
the huge mysteriousness of what they meant, those memories
that have only memories to feed them and only you to keep them clean.

For more reading, about and by Barbara Ras, check:


Interview about "Washing the Elephant"
More poems


Jennifer Barber used the technique of compression and spareness to present us with, perhaps, a plot summary of some of the Old Testament, but much more besides:

A woman a man
I was, you were, we were.

We were, indeed. I have enjoyed our time together this spring and will be working on our annual Shepherd's Center Anthology over the summer, which will contain poems by all group members who presented them, including Leo Kelleher and Dave Upstill whose skillful and evocative work we enjoyed this week.


Monday, May 21, 2012

Emerson captures heat, decay, sadness along U.S. 1

In "Elegy in July for the Motel Astra," by Pulitzer winner Claudia Emerson, a poet with ties to Greensboro, we felt summer heat "shimmering/above fresh blacktop," could almost small overripe cantaloupe, and most of all felt the sadness of abandoned dreams.

Below is a link to a useful website called Biscayne Bay Review. I have shown the page for Emerson, which contains lots of information, more poems, and, if you'll scroll down a bit,  an excellent short article called "Claudia Emerson, An Appreciation" by Susan Settlemyre Williams.

http://gilbert-wesley-purdy.blogspot.com/2006/04/claudia-emerson-page.html

For an excellent longer article on Emerson, check:

http://www.blackbird.vcu.edu/v8n1/features/marshall_r/platform_page.shtml

Emerson finds in the flea market a metaphor and "testimonial to human loss." She also writes of it in "At the Route 1 Flea Market." It is a metaphor that I have also found meaningful:


“At the Flea Market”

Dented cans, lettuce edges brown:
Cavernous room, dim light.
Built to be—what?—a warehouse,
Architect’s sad default.
The coarse jest of tee-shirts,
Suspicious wrist watches,
Prehistoric computers,
Damp blue air thick with
Cigarette smoke, ripe cantaloupe,
Hope and despair.
The vendors’ faces shadowed, blank:
“I can do better on that.”  (RHD)


We conclude this week with pieces by Barbara Ras and Jennifer Barber,  which, like all good poems, are about several different things at once.

Sunday, May 13, 2012

Collins, Bilgere prompt smiles, thoughts

We found in Billy Collins the ever-present wit and good will, making the reader a participant in the poem, and, just at the point at which we thought it was supposed to be funny, jolting us with an image that demands further consideration (in this poem, the "ripples that move toward,/not away from, a stone tossed into a pond.").

We could readily understand why Collins chose George Bilgere for the University of Akron Poetry Award in 2002. "Grecian Temples" is enjoyed most when read aloud and rapidly, and contains much recurring imagery that, again, has a deeper point in mind. For more of George Bilgere, check http://www.georgebilgere.com/unwise.html and http://www.poetryfoundation.org/bio/george-bilgere

There are almost 5 million Google entries for Billy Collins. The poem by David Orr, which is a review of The Trouble with Poetry written in the style of Billy Collins, can be found at http://www.nytimes.com/2006/01/08/books/review/08orr.html?_r=1&ref=billycollins

The very long essay by Ernest Hilbert that takes a rather negative view of Collins can be found athttp://www.cprw.com/Hilbert/collins2.htm.

On Thursday we will look at a long poem by Claudia Emerson, a recent Pulitzer winner who did a reading at Elon a few years ago.

Sunday, May 6, 2012

Merwin addresses "the profound power of memory"

Some readers are put off initially by the fact that W.S. Merwin does not use punctuation, but we found in our reading of "A Single Autumn," "Near Field," and "Rain Light," three poems that address "the nature of time and mortality" that the "words wash over you" and make you concentrate on the power of the imagery. We come away convinced of the precept I was given some years back, that you cannot study contemporary poetry without considering W.S. Merwin. There are numerous articles to be found about Merwin on the internet. Here are a couple of very accessible ones:

http://www.pbs.org/moyers/journal/06262009/profile.html
http://www.theatlantic.com/past/docs/unbound/poetry/antholog/merwin/pdmerwin.htm

On Thursday, May 10, we will find Billy Collins, as always, hugely entertaining and with something extra to say. Likewise George Bilgere, the winner of a competition that Collins judged.

Friday, April 27, 2012

Poems by Olds, Chiasson

In the April 26 session, we continued our look at poems of family relationships, Sharon Olds' "My Son, the Man" and "Man and Derailment" by Dan Chiasson.

There was emotional power (but no "raw language") in Olds' poem, an examination of a mother's feelings as a son approaches manhood. Images of the escape artist Harry Houdini are used to convey a young person's breaking out: "Now, he looks at me/the way Houdini studied a box/to learn the way out, then smiled and let himself be manacled."

In Dan Chiasson, we knew to look for an "analytical, nervous and often literary sensibility" as he "juxtaposes childhood memories of his own father with a decidedly adult consciousness." Several of us recalled having been placed in a situation similar to that of the narrator of "Man and Derailment."

Elmer Billman's "My Cardinal" (another 'never-ending bird') showed again how a nature poem contains important personal truths, and Martha Golensky reminded us in "Ten and Counting" that the poet can present as a persuasive first-person narrative the voice of another person.

Next week we will look at three poems by W.S. Merwin, whose Pulitzer Prize citation spoke of "luminous, often tender poems that focus on the profound power of memory."